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DTSTART;TZID=America/Chicago:20260528T183000
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DTSTAMP:20260522T140622
CREATED:20260511T114733Z
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SUMMARY:Dan Tyminski Band
DESCRIPTION:Dan Tyminski Band \nDan Tyminski was six years old when his parents began taking him to fiddlecontests\, square dances\, and bluegrass festivals across New England. For a youngmusician who would later become one of the biggest names in modern-daybluegrass\, those early experiences were life changing.Watching live music always spoke to me much louder than sitting in front of myrecord player\, he remembers. I loved it. Wherever music was being played\, Iwanted to go watch. Years later\, I still feel that way.Throughout his 30+ year career\, Tyminski has left his mark in every corner of modernmusic. His voice famously accompanies George Clooneys performance of theStanley Brothers classic song\, I Am A Man of Constant Sorrow\, in the film\, OhBrother\, Where Art Thou? and his vocal collaboration with Swedish DJ Avicii on thesong Hey Brother was a global smash\, having been streamed more than a billiontimes to date. His diverse solo projects and years of work with Alison Krauss andUnion Station have yielded troves of award-winning music.In recent years\, Tyminskis live shows with the Dan Tyminski Band have becomebluegrass fan favorites and are regularly on the must-see lists among music fans ofany genre.With his newest album release the Grammy-nominated 2024 concert album DanTyminski: Live From The Ryman he captures the magic of those live shows\, whilealso proving that he still has the same passion for live music as he did when he wasgrowing up.His earliest touring and recording work was as a part of the band\, Green MountainBluegrass. He later joined the influential bluegrass group\, Lonesome River Band\,before embarking on his three decades of work with Alison Krauss and UnionStation.
URL:https://chicagomusic.guide/event/dan-tyminski-band/
LOCATION:Evanston SPACE\, 1245 Chicago Avenue\, Evanston\, Illinois\, 60202\, United States
CATEGORIES:Live Performance
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CREATED:20260508T194851Z
LAST-MODIFIED:20260508T194929Z
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SUMMARY:The Black Angels: Passover 2026 Tour with L.A. Witch
DESCRIPTION:The Black Angels: Passover 2026 Tour with L.A. Witch \n2026 marks the 20th anniversary of the bands debut album\, Passover(2006)\, a now-classic record that helped define the 21st-century psych revival. To celebrate\, The Black Angels- Alex Maas (vocals/bass)\, Christian Bland (guitar)\, Stephanie Bailey (drums)\, Jake Garcia (guitar)\, and Misti Hamrick (bass) are returning to the road to perform the album in full\, along with their greatest hits.Formed in Austin\, Texas in 2004\, The Black Angels have become one of the most influential bands of the modern psychedelic rock movement. Drawing inspiration from forebears such as Syd Barrett\, Roky Erickson\, Arthur Lee\, and The Velvet Underground\, the band crafts a sound that is both reverent to the genres roots and fiercely forward-looking\, hypnotic\, heavy\, political\, and immersive.Beyond their own recordings\, the bands impact on the global psychedelic community is cemented by their role as founders of Austin Psych Fest\, one of the worlds most important gatherings for psychedelic\, experimental\, and underground music.Following albums such as Death Song (2017) and Wilderness of Mirrors (2022) on Partisan Records\, The Black Angels continue to evolve while remaining unmistakably themselves: a band that channels the spirit of classic psychedelia into a dark\, modern\, and deeply powerfulform
URL:https://chicagomusic.guide/event/the-black-angels-passover-2026-tour-with-l-a-witch/
LOCATION:Thalia Hall\, 1807 S Allport Street\, Chicago\, Illinois\, 60608\, United States
CATEGORIES:Live Performance
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DTSTART;TZID=America/Chicago:20260528T210000
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CREATED:20260428T151934Z
LAST-MODIFIED:20260505T213010Z
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SUMMARY:Hyd
DESCRIPTION:HYD\nSleeping Village\nThu\, May 28 9pm – 12am\n$18 Adv + Fees | 21+ \nHow do we live after loss? \nWhere do we go after death? \nWhat is it like to be free from our bodies? \nIs a body a gift that I get to have—for now? \nThese questions are at the tender core of Hold Onto Me Infinity\, the sophomore album by Hyd (aka Hayden Dunham)\, out on Cascine on May 22\, 2026. A follow-up to Dunham’s 2022 debut CLEARING\, it explores themes of (im)materiality\, transformation\, and eternal return in the wake of devastating loss: the deaths of Dunham’s longtime partner and creative collaborator Sophie in 2021\, as well as her brother in a fatal hit-and-run in 2024. Immersed in cycles of death\, Dunham emerged with a powerful record that channels grief into a study of how love persists beyond the limits of flesh—and through a process of transmutation can be alchemized into heat\, rhythm\, vapor\, and light. Zooming between the intimate and the infinite\, Hold Onto Me Infinity is a charged testament to music’s ability to cross timelines\, physical thresholds\, and lifespans—while dancing in the space between this physical world\, and the one beyond. \nOpening track “Angel\,” released on March 11\, draws from an early memory in Hayden and Sophie’s relationship\, when Sophie met Hayden’s father for the first time\, and responded to his skeptical questions with a bad girl’s sense of sly mischief. Produced by Hudson Mohawke—a chief collaborator on the album —the song positions a loved one posthumously as a guardian angel\, introducing a question that reverberates throughout the rest of the album: where do the dead go\, and how do we experience them in new forms? \nMuch of Hold Onto Me Infinity was recorded in Iceland\, where Dunham was researching aluminum and volcanic magma as materials that are volatile and light\, yet capable of holding immense energy. Fire recurs as a central metaphor of transformation through its potential to catalyze change and dematerialization. The album closes with the sound of a match striking\, referencing a personal grief ritual of Dunham’s: burning bouquets left from friends at their studio in order to watch the flowers change forms. \nThe album cover\, shot by Michael Bailey Gates\, reflects this liminal blur between the existential and elemental. Made without artificial effects\, it uses a glass sculpture made by Dunham\, pyrotechnics\, mirror reflections\, and a sunset poking through a pierced window to create a portal within the image that holds both this physical reality and another world. This analog approach was a necessity that emerged out of Dunham’s intermittent loss of vision over the past seven years\, which made them extremely sensitive to artificial light. This condition continues to have profound impacts on their senses: when their sight receded\, other (extra)-sensory skills emerged; when it returned\, they felt extra-embodied in their body and the juiciness of being. \nThat physicality is reflected in the album’s drum-forward sonic palette\, where the vibrations are designed to be felt in the listeners’ bodies as much as they are heard. On one specific track on the album\, first recorded in 2016\, a recording of Dunham’s loved one’s voice serves as a reminder that music can surpass bodies\, and in the spirit of eternal return\, those we love have chances to come back again. \n“This album has an earth imprint\, but it’s really a message for the sky\,” Dunham said. “It’s like an offering —I’m singing upward.”
URL:https://chicagomusic.guide/event/hyd-2/
LOCATION:Sleeping Village\, 3734 West Belmont Avenue\, Chicago\, Illinois\, 60618\, United States
CATEGORIES:Live Performance
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